here is the setlist...
7 Walkers (Bill Kreutzmann, Papa Mali, Matt Hubbard)
and Reed Mathis with Sikiru Adepoju
Great American Music Hall, San Francisco CA
Sunday October 30, 2011
Jam^ ->
Little Sadie (Early In The Mornin')^
King Cotton Blues^
Mr. Charlie^
New Speedway Boogie^#
Bird Song^# ->
Fever^# ->
Wang Dang Doodle^#*
Big Railroad Blues^#
Sugaree^#
Deal^#
(For The Love Of) Mr. Okra ->
He's Gone
Bottle Up And Go ->
7 Walkers
Death Don't Have No Mercy ->
Wharf Rat
Just Like Tom Thumb's Blues ->
Bertha
Turn On Your Lovelight
^ with Mickey Hart
# with Bob Weir
* with Maria Muldaur
i agree with a lot of what Daisy Mae had to say. it was a cool scene, with pretty relaxed and respectful crowd. i arrived to the venue at 5:30 (about 1.5 hours before doors opened) and no one was there. kind of weird considering that Bobby and Mickey were confirmed special guests. soundcheck started around 6 PM, Papa Mali arrived around 6:15 and at about 6:30 i saw Mickey (Bobby evidently did not show up for soundcheck). anyway, my early arrival worked in my favor as i could hear thwe band warming up and was the third person in the door. i planted myself right in front of the stage and didn't move the entire night.
Mickey (along with Sikiru) came out with the band as they took the stage at about 8:40 and he stayed for the entire 1st set. he was all smiles, very engaged with the band and the crowd, and quite animated. the band was on fire right from the start, as the opening jam into Early in the Mornin' was absolutely smokin! Bobby came out for the 2nd half of the 1st set and played 7 songs. there was good interaction between Bobby, Papa Mali and Reed Mathis, but i don't recall any eye contact between Bobby and Billy and minimal interaction between Bobby and Mickey. at one point during New Speedway or Bird Song (can't remember which) Bobby was trying to get Bill's attention (Reed even tried to assist), but Billy would have none of it. it seemed like an intentional snub, but it's hard to know for sure. regardless of the slightly "stand-offish" dynamic between Bobby and Billly the band sounded great. Billy and Mickey, along with Reed on bass, were driving the band and they sounded great (I was initially bummed that George Porter Jr. was not there, but Reed was absolutely amazing on bass... he totally blew me away). the "New Speedway" and "Bird Song" were solid, and "Fever" was quite cool. then, Maria Muldaur came out for "Wang Dang Doodle". she was full of energy... dancing, singing and shakin her tamborine... and she seemed to really give Bobby a lift, as he responded very positively to her presence on the stage. i really enjoyed hearing "Big Railroad Blues" (a pretty straight forward version, but it's a great song any way you slice it). the "Sugaree" was pretty decent, and the "Deal" closer was pretty darn good. i thought the combination of Bobby and Papa Mali worked very well.
after the 1st set Bobby's amp quickly disappeared as did Mickey's rig. less than 10 minutes later the crew came back on stage with Mickey's equipment and announded to the folks at the front of the stage that he was comin' back for the 2nd set. we were pumped and not toally surprised because Mickey looked to be having the most fun of anyone during the 1st set. i'm not sure what happened, but about 5 minutes later the crew again started to break down Mickey's rig and told us that he would not be returning for the 2nd. Sikiru, however, did return and he stayed for the remainder of the show.
despite not having Bobby or Mickey on stage for the 2nd set, the crowd and the band lost no energy or momentum. the band was on fire, Billy and Reed continued to drive the band real hard, and the flow of the 2nd set was nearly flawless. the "He's Gone" and the "Wharf Rat" were superb, as was the "Lovelight" encore. i'm a huge John Lee Hooker fan and loved 7 Walkers' version of "Bottle up and Go". everyone left the hall with big smiles on their faces, as this was truly a special night that exceeded my highest expectations.
Last Edit: 1 year, 6 months ago by .